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FRIDAYS
& SATURDAYS AT 10:30PM - $12
Sundays at 7pm (Gum Wall Rally) - $10
(All
Advanced tickets $10)
Seattle TheatreSports™ is
the most professional improv show the
northwest has to offer.
"Seattle Theater Sports League"
began in 1982 playing to small crowds in a place
called the "Peking Restaurant."
Today, you'll only find it at the the Market
Theater,
the largest theater in the greater Seattle area
dedicated to improvisation.
Seattle TheatreSports™ is
theater, sports, comedy, and improv theatre all
rolled into one amazing show.
Teams of improvisers create scenes based entirely
on audience suggestions and are scored by a panel
of judges.

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HISTORY OF
SEATTLE THEATRESPORTS
TheatreSports was developed years earlier by Keith Johnstone in England
and then Calgary, Alberta, Canada, as the formal performance mechanism
for a series of improvisational exercises for London’s Royal Court
theatre. Its aim was to help playwrights overcome writer’s block by
short-circuiting our natural tendency to edit ourselves. While
self-editing is an important tool for getting through life, it can
cripple the creative process. Johnstone’s exercises constantly sought to
trick the mind out of its habitual dulling of the world.’ [Impro, page
32)
When The Seattle Theatresports League
was founded, this innovative Improv format was being performed in a few
cities in Canada, the UK, and Australia. The Seattle League was the
first company in the United States to perform TheatreSportsTM.
For several years, the Seattle group
performed TheatreSports at different venues, including
Swannie’s Comedy Underground, the Pioneer Square Theatre, the Group
Theatre at the Ethnic Cultural Center, and the Intiman Playhouse,
gathering a following along the way.
By 1988, The Seattle
TheatreSports™ League began producing and performing another show:
Cream of Wit. The focus of Cream of Wit has been the exploration of
longer forms of improvisation in a non-competitive setting. The
improvisors in the company wanted to move into new and different
theatrical formats, including producing and writing full length
shows. We wanted to continue the success of TheatreSports™, but grow
creatively in other forms. The company began teaching improvisation
to interested students, some of whom gained the skills to join the
company.
Therefore, the Seattle TheatreSports™ League became officially known
as Unexpected Productions, a non-profit 501(c)(3) theatre company,
which would produce more than TheatreSports™. Additionally, The
company sought to find a permanent home to produce shows on a
seasonal basis. In June 1991, Unexpected Productions acquired the
lease to the Market Theatre in the historic Pike Place Market, which
continues to be our mainstage.
While TheatreSports™ , Wednesdays@8 and Cream of Wit are still
considered to be the foundation of the theatre, Unexpected
Productions has developed, written and produced over 90 shows since
leasing the Market Theatre in 1991. |
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Suggestions
Each night
the two most valuable suggestions will win prizes
donated by Archie
McPhee in Ballard! Hooray!

Special guest Ryan Stiles at
the 30 HR Improvathon - 2004

Guest judge Mark
Brunell (NFL Quarterback) w/ MC Jay Hitt - 2002

We please audiences of all ages!
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ARE YOUR
IMPROV SHOWS BLUE?
No. Most of our
shows are improvised, which is to say made up on the spot, using
information from the audience as a jumping-off point. We focus mainly on
story, narrative, technical game-playing, and comedy. ‘Blue’ humor is
easy, and we take our improv too seriously to take the easy way out.
Occasionally, audience members shout out off-color suggestions, but if
we take them, we take it as a challenge to use the suggestion in a
creative manner.
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ORIGINS
OF THEATRESPORTS
In 1976, Keith Johnstone and a group of his students
formed the Secret Impro Group to perform noon-hour shows
at the University of Calgary. The following summer they
regrouped to form The Loose Moose Theatre Company, which
is currently at the center of the theatrical activity
known as TheatreSports™, a format which has spread to
over 22 countries.
Johnstone created TheatreSports™ as a response to two
main concerns. The first was the audience. Why, he
wondered, did things like sporting events draw so well
while theaters were half empty? Could it be that the
connotations of "culture" kept people away?
People would go to a football game without knowing
beforehand if it would be a good game; they were,
however, assured of excitement and the opportunity to
participate, to vocalize, and to invest something of
themselves in the event and the outcome. Keith would
speak of envying the "passion" of a sports
audience. The goal, and the result, of TheatreSports™
is to attract people who wouldn't normally go to the
theatre. Johnstone was also concerned about the
performers. He wanted TheatreSports™ to provide
training for improvisation. It would help in recruiting
new performers, and its structure would allow for a
greater number of participants.
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